Reviewing Co-creation Method in the Context of Visual Arts Co-creation: A Case Study of Usungan Parade Project

Authors

  • Mohamad Faizuan Mat Faculty of Applied and Creative Arts, Universiti Malaysia Sarawak
  • Hasnul Jamal Saidon Pusat Pengajian Seni, Universiti Sains Malaysia
  • Muhammad Jazlan Ahmad Khiri Universiti Malaysia Sarawak
  • Sarah Naemah Aman Leong Universiti Malaysia Sarawak
  • Nourah Nasser Al-Nahari Princess Nourah Bint Abdulrahman University

DOI:

https://doi.org/10.5614/j.vad.2024.16.1.6

Keywords:

art community, co-creation, collaboration, community engagement, online art of co-creation, participatory art

Abstract

In this paper, co-creation through visual art as a form of community engagement is explored and discussed through its definition, origin, method, practice, context, and potential. The Usungan Parade co-creation project at a khatam al-Quran event in Kabong, Sarawak, East Malaysia served as a case study through a qualitative analysis to explore the experiences and interpretations of the community related to the co-creation phenomenon. The study was conducted through participant observation and interviews with a sample drawn from heads of families, usungan craftsmen, and audience members. Six factors were identified in this community engagement project using the co-creation model. Then we elaborated how the participants interpreted the value of co-creation obtained from their activities. The objective was to build a strong argument for an in-depth study of implementing co-creation in a particular community. This research found that co-creation can contribute to reducing the gaps between those who can produce art and society, especially through the participation of ?non-art affiliated? communities and artistic excellence.

Author Biographies

Mohamad Faizuan Mat, Faculty of Applied and Creative Arts, Universiti Malaysia Sarawak

Mohamad Faizuan Bin Mat is a lecturer in the Fine Arts Programme, Universiti Malaysia Sarawak and Ph.D. student in School of Arts, Universiti Sains Malaysia, (USM), Pulau Pinang, Malaysia. He holds a Master of Science in Integrated Design Studies from the Faculty of Design and Architecture, University Putra Malaysia. His area of expertise includes fine arts, visual arts, curatorial, contemporary arts, and co-creation.

In 2015-2017, he is being chosen to represent Malaysia for CuratorsLAB Program under Goethe-Institut Indonesien, Institut Teknologi Bandung, PORTIKUS and Städelschule Frankfurt am Main, Germany to support contemporary curatorial practice in Southeast Asia. 

Hasnul Jamal Saidon, Pusat Pengajian Seni, Universiti Sains Malaysia

Hasnul Jamal Saidon is an Assoc. Professor of media arts at Universiti Sains Malaysia. He was involved in designing pioneering programs in UNIMAS, UMS & USM, including final year showcases such as CIPTA & RINTIS; curating milestone exhibitions such as the 1st. Electronic Art Show & HYPErview (1997), Takung (2004); & co-founding E-Art ASEAN Online (2000). He has contributed to the local art & academic scenes under various capacities such as a programme head, deputy dean, museum director, board member, chief jury, curator, external examiner, and curriculum advisor. Hasnul has curated 30 local exhibitions and engaged in 18 research projects since 1996. He has written about 24 books, presented and published about 25 papers and articles in books internationally. Since 1989, Hasnul has participated in 60 local group exhibitions and 22 international group exhibitions. His video art has been screened at 16 international video art festivals. Throughout his creative career, he has won 8 international and 13 local art awards. His current research is on tradition through the language of quantum physics & new media. His current works are H3RO, gemaBELAS, DidikJiwaHalus, ROH, KITA & RumahTokCu.

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Published

2024-07-09

How to Cite

Mat, M. F., Saidon, H. J., Khiri, M. J. A., Leong, S. N. A., & Al-Nahari, N. N. (2024). Reviewing Co-creation Method in the Context of Visual Arts Co-creation: A Case Study of Usungan Parade Project. Journal of Visual Art and Design, 16(1), 109-127. https://doi.org/10.5614/j.vad.2024.16.1.6